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    Netflix’s meteoric rise as an online content provider has been well documented and much debated in the popular press and in academic circles as an industry disrupter, while also blamed for ending TV’s "Golden Age." For academic researchers, Netflix exists at the nexus of multiple fields: internet research, information studies, media studies, and television and has an impact on the creation of culture and how individuals relate to the media they consume.Netflix at the Nexus examines Netflix’s broad impact on technology and television from multiple perspectives, including the interface, the content, and user experiences.Chapters by leading international scholars in television and internet studies provide a transnational perspective on Netflix’s changing role in the media landscape.As a whole, this collection provides a comprehensive consideration of the impact of streaming television.

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    This ground-breaking study explores transformations in the TV industry under the impact of globalizing forces and digital technologies.Chalaby investigates the making of a digital value chain and the distinct value-adding segments which form the new video ecosystem.He provides a full account of the industry's global shift from the development of TV formats and transnational networks to the emergence of tech giants and streaming platforms.The author takes a deep dive into the infrastructure (communication satellites, subsea cable networks, data centres) and technology (cloud computing, machine learning and artificial intelligence) underpinning this ecosystem through the prism of global value chain theory.The book combines empirical data garnered over 20 years of researching the industry and offers unique insights from television and tech executives.

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    Television Brandcasting examines U. S. television’s utility as a medium for branded storytelling.It investigates the current and historical role that television content, promotion, and hybrids of the two have played in disseminating brand messaging and influencing consumer decision-making.Juxtaposing the current period of transition with that of the 1950s-1960s, Jennifer Gillan outlines how in each era new technologies unsettled entrenched business models, an emergent viewing platform threatened to undermine an established one, and content providers worried over the behavior of once-dependable audiences.The anxieties led to storytelling, promotion, and advertising experiments, including the Disneyland series, embedded rock music videos in Ozzie & Harriet, credit sequence brand integration, Modern Family’s parent company promotion episodes, second screen initiatives, and social TV experiments.Offering contemporary and classic examples from the American Broadcasting Company, Disney Channel, ABC Family, and Showtime, alongside series such as Bewitched, Leave it to Beaver, Laverne & Shirley, and Pretty Little Liars, individual chapters focus on brandcasting at the level of the television series, network schedule, "Blu-ray/DVD/Digital" combo pack, the promotional short, the cause marketing campaign, and across social media. In this follow-up to her successful previous book, Television and New Media: Must-Click TV, Gillan provides vital insights into television’s role in the expansion of a brand-centric U.S. culture.

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  • Does entertainment determine the music videos?

    Entertainment can influence the content and style of music videos, but it does not necessarily determine them. While music videos are often created with the intention of entertaining and engaging audiences, they can also serve as a platform for artistic expression and storytelling. The creative vision of the artist and director, as well as the message of the song, can also play a significant role in shaping the content and direction of music videos. Ultimately, a combination of factors, including entertainment value, artistic vision, and the message of the music, can contribute to the final product.

  • What entertainment media and entertainment electronics are available?

    There is a wide range of entertainment media and electronics available, including streaming services like Netflix, Hulu, and Amazon Prime for watching movies and TV shows. Additionally, there are gaming consoles such as PlayStation, Xbox, and Nintendo Switch for playing video games. Other entertainment electronics include smart TVs, sound systems, and virtual reality headsets for an immersive experience. Furthermore, there are also e-readers and audiobook services for those who enjoy reading and listening to books.

  • Why does the PC crash when streaming movies, videos, etc. online?

    There are several reasons why a PC may crash when streaming movies or videos online. One common reason is that the computer's hardware may not be able to handle the demands of streaming high-quality video, leading to overheating and crashes. Additionally, outdated or incompatible software, such as web browsers or media players, can also cause crashes during streaming. Poor internet connection or network issues can also lead to buffering and crashes while streaming. Lastly, malware or viruses on the computer can also cause crashes during online streaming.

  • Which is the best streaming service for movies and series?

    The best streaming service for movies and series ultimately depends on personal preferences and viewing habits. Some popular options include Netflix, Amazon Prime Video, Hulu, and Disney+. Netflix is known for its vast library of content, including original series and movies. Amazon Prime Video offers a wide range of movies and TV shows, along with the option to rent or buy additional content. Hulu is known for its current TV show offerings and next-day streaming of episodes. Disney+ is a great choice for fans of Disney, Pixar, Marvel, and Star Wars content. Ultimately, the best streaming service for movies and series will vary based on individual preferences and what type of content you enjoy watching.

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  • The Mel Brooks Songbook : 23 Songs from Movies and Shows
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  • The New Brazilian Mediascape : Television Production in the Digital Streaming Age
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    How new media is ushering in a more diverse Brazilian national identityIn this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.For more than half a century, South America’s largest over-the-air network, TV Globo, produced long-form melodramatic serials that cultivated the notion of the urban, upper-middle-class white Brazilian.Carter looks at how the expansion of internet access, the popularity of web series, the rise of independent production companies, and new legislation not only challenged TV Globo’s market domination but also began to change the face of Brazil’s growing audiovisual landscape.Combining sociohistorical, economic, and legal contextualization with close readings of audiovisual productions, Carter argues that a fragmented media has opened the door to new voices and narratives that represent a more diverse Brazilian identity. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez.

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    Researching for the Media : Television, Radio and Journalism

    Researching for the Media: Television, Radio and Journalism is an essential guide to researching for the media industry.It explains the role of the researcher and journalist within radio, television and journalism exploring key areas of what to expect in the job. Researching for the Media: Television, Radio and Journalism offers advice and instruction on practical, ethical and legal issues which affect anyone working in these industries.Beginning with suggestions on how to think up ideas and how to devise treatments, through to general research methods and techniques and guidance on working on location at home and abroad, it uses real examples of good and bad practice from the industry.Written by an experienced researcher, writer and producer, Researching for the Media includes: Tips on finding contributors from contestants, experts and specialists through to audiences and celebrities How to find photographs, picture and film clips and the ethical and legal issues involved Advice on finding and using music and copyright issues How the media uses the internet and social media such as Twitter, Facebook, Instagram A discussion of risk assessment, codes of conduct, ethical behaviour and legal and safety issues A glossary of media terms, further reading and a list of helpful websites. Discover more at www.adeleemm.com

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  • Olympic Media : Inside the Biggest Show on Television
    Olympic Media : Inside the Biggest Show on Television

    Located in the United States, NBC (National Broadcasting Company) is the biggest and most powerful Olympic network in the world, having won the rights to televise both the Summer and the Winter Olympic Games.By way of attracting more viewers of both sexes and all ages and ethnicities than any other sporting event, and through the production of breathtaking spectacles and absorbing stories, NBC’s Olympic telecasts have huge power and potential to shape viewer perceptions.Billings’s unique text examines the production, content, and potential effects of NBC’s Olympic telecasts.Interviews with key NBC Olympic producers and sportscasters (including NBC Universal Sports and Olympics President Dick Ebersol and primetime anchor Bob Costas) outline the inner workings of the NBC Olympic machine; content analyses from ten years of Olympic telecasts (1996-2006) examine the portrayal of nationality, gender, and ethnicity within NBC’s telecast; and survey analyses interrogate the extent to which NBC’s storytelling process affects viewer beliefs about identity issues.This mixed-method approach offers valuable insights into what Billings portrays as "the biggest show on television".

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  • Is streaming paid movies and series on free streaming sites in Austria illegal?

    Yes, streaming paid movies and series on free streaming sites in Austria is illegal. These sites often host copyrighted content without permission, which violates intellectual property laws. Engaging in this activity can result in legal consequences, including fines or other penalties. It is important to use legal and authorized streaming services to access movies and series in Austria.

  • What type of entertainment do you prefer: movies, series, or music?

    I prefer series because I enjoy the longer story arcs and character development that can occur over multiple episodes or seasons. I find it more engaging to follow a story over time rather than in a single sitting. Additionally, I appreciate the variety of genres and styles that series offer, allowing me to explore different types of storytelling and themes.

  • Do you watch movies and series on streaming sites?

    As an AI, I don't have the capability to watch movies and series on streaming sites. However, I can provide information and recommendations based on user preferences. If you have any specific questions or need assistance with finding content to watch, feel free to ask!

  • Which channel shows Boruto?

    Boruto is shown on the channel TV Tokyo in Japan. Internationally, it is available for streaming on platforms such as Crunchyroll and Hulu. Additionally, it may also be available on other local channels or streaming services in different countries.

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